Exactly four years ago, I noticed some small prints at a salon on the Upper East Side, the last place read more…
Crossing the Fog with Sacha Yanow
Written and performed by Sacha Yanow, Silent Film was first seen at Danspace
Rare Birds and Wild Creatures
Last Monday evening, Dec 9, 2013, friends old and new gathered at The Bureau of General Services Queer Division (BGSQD) read more…
Reading the Liminal: An Interview with A.K. Burns
Astonished and beguiled is how I felt that first afternoon I spent with Touch Parade in 2012, at the Sculpture read more…
Tension in the Gesture, Artist Aura Rosenberg
How is the body ever not politic?
Ethno-Surrealist Theories
Kate Conroy is a New York artist who you might meet and immediately like, but never quite expect the compound read more…
My Moment with Marina Abramovich
[Editor’s Note: Earlier in June we noted that HBO’s documentary, Marina Ab
Intimately Fierce
When Genesis Breyer P-Orridge speaks, it is always from the subjective plural.
Winn Rea’s Cascading Spirals
While preparing for her third New York solo show in early 2012, Winn Rea miraculously found time for this conversation.
Mickalene Thomas: More Than Everything
Lehmann Maupin’s Chrystie Street gallery opened the 2011 fall season with Mickalene
Roni Horn: Temporality and Circumstance
If conscience is a placid lake, and our subconscious a network of rivers beneath rivers, adrift in these deep waters read more…
McQueen, Evermore
Lilac leather and horsehair, plumes, coiled aluminum, pheasant feathers and resin vulture skulls—none of these are the typical materials of read more…
Chronological disContent: Women, Art+Revolution
Outside NY’s Whitney Museum and San Francisco’s Museum of Art, Lynn Hershman Leeson asked men and women on the street read more…
A Gay Bar Called Everywhere
Emily Roysdon’s A Gay Bar Called Everywhere (With Costumes and No Practice) was a limited engagement performance at The Kitchen read more…
Six Questions with Sarah Lucas
This year, from March to September, London’s National Portrait Gallery is presenting a set of twelve self-portraits by Sarah Lucas.
Notes on Notes on “Camp”
Mention Camp aesthetics in any discussion about art and inevitably, the conversation bifurcates faster than one can say “Vite! Vite!” read more…
On Sex and Sameness
On April 1, Susan Burns visited the National Portrait Gallery in Washington D.C. She came across a painting by Paul read more…
Lonesome States
For the third time in five months, I’m writing about another female artist with ties to Iowa.
disOriented
Kim Jong-il had just celebrated his birthday when I picked up the program for
Readykeulous: The Hurtful Healer
Opening night for the Readykeulous show at Invisible Exports was more like a congregation of New York luminaries than a read more…
Francesca Woodman: Some of Her Interior Geometries
The Woodmans portrays family dynamics far more than its intended cinematic portrait of