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patricia

Tenacious as Hell, Vividly: Wanda Ewing
Arts and Culture

Tenacious as Hell, Vividly: Wanda Ewing

Exactly four years ago, I noticed some small prints at a salon on the Upper East Side, the last place read more…

Crossing the Fog with Sacha Yanow
Arts and Culture

Crossing the Fog with Sacha Yanow

Written and performed by Sacha Yanow, Silent Film was first seen at Danspace

Rare Birds and Wild Creatures
Arts and Culture

Rare Birds and Wild Creatures

Last Monday evening, Dec 9, 2013, friends old and new gathered at The Bureau of General Services Queer Division (BGSQD) read more…

Reading the Liminal: An Interview with A.K. Burns
Arts and Culture

Reading the Liminal: An Interview with A.K. Burns

Astonished and beguiled is how I felt that first afternoon I spent with Touch Parade in 2012, at the Sculpture read more…

Tension in the Gesture, Artist Aura Rosenberg
Arts and Culture

Tension in the Gesture, Artist Aura Rosenberg

How is the body ever not politic?

Ethno-Surrealist Theories
Arts and Culture

Ethno-Surrealist Theories

Kate Conroy is a New York artist who you might meet and immediately like, but never quite expect the compound read more…

My Moment with Marina Abramovich
Arts and Culture

My Moment with Marina Abramovich

[Editor’s Note: Earlier in June we noted that HBO’s documentary, Marina Ab

Intimately Fierce
Arts and Culture

Intimately Fierce

When Genesis Breyer P-Orridge speaks, it is always from the subjective plural.

Winn Rea’s Cascading Spirals
Arts and Culture

Winn Rea’s Cascading Spirals

While preparing for her third New York solo show in early 2012, Winn Rea miraculously found time for this conversation.

Mickalene Thomas: More Than Everything
Arts and Culture

Mickalene Thomas: More Than Everything

Lehmann Maupin’s Chrystie Street gallery opened the 2011 fall season with Mickalene

Roni Horn: Temporality and Circumstance
Arts and Culture

Roni Horn: Temporality and Circumstance

If conscience is a placid lake, and our subconscious a network of rivers beneath rivers, adrift in these deep waters read more…

McQueen, Evermore
Arts and Culture

McQueen, Evermore

Lilac leather and horsehair, plumes, coiled aluminum, pheasant feathers and resin vulture skulls—none of these are the typical materials of read more…

Chronological disContent: Women, Art+Revolution
Arts and Culture

Chronological disContent: Women, Art+Revolution

Outside NY’s Whitney Museum and San Francisco’s Museum of Art, Lynn Hershman Leeson asked men and women on the street read more…

A Gay Bar Called Everywhere
Arts and Culture

A Gay Bar Called Everywhere

Emily Roysdon’s A Gay Bar Called Everywhere (With Costumes and No Practice) was a limited engagement performance at The Kitchen read more…

Six Questions with Sarah Lucas
Arts and Culture

Six Questions with Sarah Lucas

This year, from March to September, London’s National Portrait Gallery is presenting a set of twelve self-portraits by Sarah Lucas.

Notes on Notes on “Camp”
Arts and Culture

Notes on Notes on “Camp”

Mention Camp aesthetics in any discussion about art and inevitably, the conversation bifurcates faster than one can say “Vite! Vite!” read more…

On Sex and Sameness
Arts and Culture

On Sex and Sameness

On April 1, Susan Burns visited the National Portrait Gallery in Washington D.C. She came across a painting by Paul read more…

Lonesome States
Arts and Culture

Lonesome States

For the third time in five months, I’m writing about another female artist with ties to Iowa.

disOriented
Arts and Culture

disOriented

Kim Jong-il had just celebrated his birthday when I picked up the program for

Readykeulous: The Hurtful Healer
Arts and Culture

Readykeulous: The Hurtful Healer

Opening night for the Readykeulous show at Invisible Exports was more like a congregation of New York luminaries than a read more…

Francesca Woodman: Some of Her Interior Geometries
Arts and Culture

Francesca Woodman: Some of Her Interior Geometries

The Woodmans portrays family dynamics far more than its intended cinematic portrait of

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  • The Good Victim | Gloria Oladipo
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